-The Era of
Domestic and International Tourism
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Figure 1: View of Kaminarimon gate, Nakamise-dori, Hozomon gate, and Sensoji Temple from the Tourist Information Centre in Asakusa. (Photo credit: Min-Shiuang Lee, 2016) |
Sensoji Temple is now known for its presence of traditional Japanese culture and art, particular of the "prayer and play" culture in the Edo period. Sensoji Temple and Kaminarimon gate, although not the original structures, are still standing in Asakusa today. Further, Nakamise-dori, that stretches from Sensoji Temple to Kaminarimon gate, continues to be a prominent marketplace in the area
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Figure 2: The stalls in Nakamise-dori selling traditional Japanese products to tourists. (Photo credit: Min-Shiuang Lee, 2016) |
As it is the
oldest temple in Tokyo, Sensoji Temple attracts many foreign visitors to
Asakusa each year, and is the main tourist attraction of Asakusa, closely
followed by Tokyo Skytree. It is estimated that the temple attracts 30 million visitors,
both Japanese and foreign, each year (Senso-ji, 2016) . It is still a
district of many commercial activities, although it has evidently “metamorphosed”
from entertainment to tourism (Itoda, 2015) .
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Figure 3: Example of a side street near Sensoji Temple that resembles the “Edo-look”. (Photo credit: Min-Shiuang Lee, 2016) |
Unlike the other places in Tokyo, the Edo culture of “pray and play” in Sensoji Temple lingered, despite the destructions and reconstructions over the centuries
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Figure 4: A photo of Hozomon gate in 2016. Sensoji Temple is a popular tourist attraction and is often flocked by tourists on the weekends. (Photo credit: Min-Shiuang Lee, 2016) |
References:
Itoda, S. (2015). Development of New
Urban Theory- Asakusa Illuminates Transformation with the Passage of Time:
International Asakusa Research Project. Retrieved Nov 23, 2016, from Meiji
University: http://www.meiji.ac.jp/cip/english/frontline/itoda/
JIDAIYA. (2016, Nov 1). Retrieved Nov 9,
2016, from 浅草い〜とこ: http://www.asakusa-e.com/rekisi/senso_e.htm
Jonas, M., & Rahmann, H. (2009). I
<3 New Tokyo: Questioning Contemporary Urban Identities of Tokyo and their
Potential for Substainable Urban Regeneration. WEIMARPOLIS Multi-disciplinary
Journal of Urban Theory and Practice, 1(2), 19-34. Retrieved from
WEIMARPOLIS Multi-disciplinary Journal of Urban Theory and Practice:
http://s3.amazonaws.com/academia.edu.documents/36689118/Jon_Rah_Full_Article.pdf?AWSAccessKeyId=AKIAJ56TQJRTWSMTNPEA&Expires=1480348809&Signature=AMNg2NGugxerkB98Ezbh38LeXdM%3D&response-content-disposition=inline%3B%20filename%3DI_New_Tokyo_Questioning_Contemporary_Urb.pdf
Masaki-Knighton, M. (2015, Sep 6). The
Entertainment Hub of Old Edo, Asakusa. Retrieved Nov 23, 2016, from Taiken
Japan: Explore Japan:
https://taiken.co/single/the-entertainment-hub-of-old-edo-asakusa
McKellin, D., & Tanaka, M. (2014,
March). CULTURE | HISTORY: Tokyo: Japan’s Center of Feng Shui.
Retrieved Nov 23, 2014, from The Journal: The Authority on Global Business in
Japan: https://journal.accj.or.jp/culture-history/
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